A close eye on fashion magazine advertisements.

January 27th, 2012
Fashion magazine advertisements.

Fashion magazine advertisements.

I’ve learnt a lot today about fashion magazine advertisement. Various bits of media clips have come my way making me take a closer look at this subject. Those who are already au fait with the matter do not need to waste time reading on.

Some examples.

Readers generally like advertisements, they are seen as essential and well liked. On average, applying to all types of magazines, this is a view shared by 65% of readers. For fashion magazine readers the figure is 75%. Financial Times picked up on this theme the other day, scrutinising which luxury labels are getting ahead in advertising in spring/ summer 2012.

A magazine is a brand and the editorial content of a particular publication has over time established an affinity with its readers. This greatly benefits advertisers.“The editorial/reader relationship is a one-to-one conversation, and in time it creates a bond of trust, of belief, expectation and empathy. It is through the quality of this relationship that an aperture or opening to the reader’s mind and heart is created, through which advertisers can establish communication.”

There’s a direct and very effective link between magazine advertisements and purchasing activities. People are 38% more likely to buy a product advertised in a magazine than on TV, and 50% more than an ad appearing in a newspaper. Mulberry’s experience is that people often come into stores asking for products appearing in a certain campaign.

Fashion magazine advertisements are big business. The ups and downs of ad-page counts are therefore of outmost importance. New York Post yesterday reported that in March 2012 Vogue had 442.74 ad pages, up 3.7 percent, with In Style in second place with 347 ad pages, a 13 percent gain. Similar figures for September 2011 were 584 ad pages for Vogue and In Style 431 pages.

Apropos of business and finally. There’s a fine line between editorial independence and advertisers’ wants. The price of a magazine covers production costs. Advertisements bring in the profit, in the case of Vogue UK around £32 million, for Vogue US $150 million. As Alexandra Shulman of UK Vogue puts it;

Vogue makes most of its money out of advertising – and it does make an awful lot of money – so we’ve got to have a good relationship with our advertisers. They’re not going to place £100,000 a year and then say, “Feel free not to use any of our goods” – life’s not like that. So although there is this feeling sometimes that creatively it’s not pure, well – magazines are a business, you’re not sitting there writing poetry.

1,2 million spiders and a piece of cloth.

January 26th, 2012
Golden spider silk.

Golden spider silk.

It takes your breath away, doesn’t it? A golden coloured silk so embracingly warm, dazzling and resplendent making you think it was made by some kind of Sun God. Closer to truth is that it’s the product of female Nephila clavipes, a rather petrifyingly-looking spider measuring 4.8 – 5.1 cm, excluding legspan. The legs are loooong.

There are thousands and thousands of these lovelies in Madagascar. If not millions and millions. They particularly like hanging around telephone poles. In the 1880s a French missionary called Jacob Paul Camboué decided to put them to work. He constructed a machine that enabled him to extract the golden silk from up to 24 spiders at once.

Over a century later Simon Peers and Nicholas Godley came up with the idea to reconstruct Camboué’s experiment. On a much grander scale. The spider’s silk may be stunning, but it’s not produced in abundance. Fourteen thousand golden orb spiders yield about 28 grams of silk. In Peers and Godley’s project it took 1,2 million spiders four years to produce enough silk to enable artisans to weave together a piece of cloth 3,35 m x 1,21 m.

Mass production is not set to follow. Lack of spider productivity is not the only problem. They also bite their supervisors and decapitate colleagues. Hence the aforementioned cloth may be classified as unique. New Yorkers already in 2009 had the opportunity to take closer look at it at the American Museum of Natural History. Now the piece, or rather pieces as the cloth has been made into two garments, has arrived in London. From 25th January to the 5th of June it will be on display at the Victoria and Albert Museum.

Desigual riding high on wacky design.

January 25th, 2012
Desigual Lookbook.

Desigual Lookbook.

There must be something in the water, or possibly the air. How else to explain the abundance of wacky design coming out of Catalonia? Salvador Dalí and his surrealist art. Antoni Gaudí’s equally idiosyncratic architecture. And in fashion Desigual, a brand that in 2011 had a turnover of  €560 million, 27% more than in 2010.

Characterised by loud colours, clashing patterns and somewhat bizarre motifs the idea behind Desigual when it started out in 1984 was ‘a future in which people dress in a different way, in clothes that helped generate positive feelings, affordable to all’. The number one slogan is that Desigual is not same. Well, creative directors are certainly surrounded by quirky enough design to act as an inspiration for a lifetime.

Today the Spanish market represents 31% of turnover, the rest mainly coming from other parts of Europe, including Italy, France and Gernany. Spain is sadly not a growing market where consumption has come to a halt due to the economic crisis. Hopefully, however, the growth of the company itself will make positive waves in a Catalonian spirit.

Donated clothes with a £60 million turnover.

January 24th, 2012
Oxfam lookbook 2012.

Oxfam lookbook 2012.

The high street’s dying but charity shops are thriving. As quickly as large retail chains are fleeing, as quickly charity shops are flinging their doors open. They are everywhere, the area around Warwick Way in Pimlico, London is one example.

Clothes are usually retailed around the £5-10 mark, yet Oxfam has a turnover of  around £60m from resale of its second-hand goods. Am myself a big fan of charity shops. Not necessarily because of the price tag, more because of the thrill rummaging around and finding an original bargain. Charity is a complicated business, though. So much admin involved. Most of it carried out by volunteers.

Pleasingly, however, in one instance a journalist calculated that 38 donated items fetched a particular store at least £214.70. A haute couture fashion week is currently running in Paris. Not to be second rate, Oxfam has this year launched a Spring 2012 lookbook to boost the image of second-hand clothing. All articles showcased in the book are sourced from the charity’s retail locations and online store.

Looking funky and doing the environment a favour at the same time – not usually a combination associated with fashion.

Gold bars and pecuniary emulation

January 24th, 2012
Jean-Paul Gaultier engraved gold bar.

Jean-Paul Gaultier engraved gold bar.

Got The car? Got The house? Got The Right clothes? Still not happy? Still looking for that something special that will make you stand out?

A tip, how about a gold ingot? Engraved with Jean-Paul Gaultier’s name written across a heart with his trademark sailor stripe? There are only 5000 of them available and according to some are not only a great investment but it will also become a piece of history.

In 1899 Thorstein Veblen wrote Theory of the Leisure Class. A book about snobbery and social pretense and the effect of wealth on behaviour. Or in his own words conspicuous consumptionspending money on goods and services mainly for the purpose of displaying income or wealth.

One chapter is entitled pecuniary emulation meaning an effort to equal or surpass another in status associated with wealth. On this note Veblen elaborates that

in order to his own peace of mind, that an individual should possess as large a portion of goods as others with whom he is accustomed to class himself; and it is extremely gratifying to possess something more than others. But as fast as a person makes new acquisitions, and becomes accustomed to the resulting new standard of wealth, the new standard forthwith ceases to afford appreciably greater satisfaction than the earlier standard did. The tendency in any case is constantly to make the present pecuniary standard the point of departure for a fresh increase of wealth; and this in turn gives rise to a new standard of sufficiency and a new pecuniary classification of one’s self as compared with one’s neighbours.

A word of warning? Buy that gold bar, what’s next …?


Washington DC as an up and coming fashion capital.

January 23rd, 2012
Washington DC Fashion Week.

Washington DC Fashion Week.

Some view Washington DC as the capital of the world. I know cause I’ve been there and someone indulged this piece of information to me. Dream on, I thought to myself. But didn’t tell.

In terms of fashion, the place barely registers on the radar. Or GPS, or conventional map if you are still in to those. Think Washington DC and grey, blue, maybe black suits come to mind. Accessorised with high-quality shirts, ties and perfectly tidy haircuts. Women may break the mold by avoiding the tie, but stick with the suit, using colour to differentiate themselves from the crowd.  Conservatism rule.

Jacqueline Kennedy was an exception. A very special exception. Close to 20 years after her death, there are still rave reviews of her dress code. Michelle Obama is a more recent example.

I’ve got no idea if the latter’s got something to do with it, but Washington DC is rising from the fashion duldrums. The D.C. Fashion Incubator was launched last year providing resources, infrastructure and programming that nurtures the District’s budding fashion industry so that it can reach its full potential.

“Everyone talks about job creation,” according to the founder Christine Brooks-Cropper, “but we actually have the resources to create small businesses and provide vocational skills in an industry that no one even thinks exists in D.C.”

A noteworthy initiative. Reminiscent of some old spy movie, however, fashion in DC has been cooking behind closed doors for some time. Felix Alonso is in the know, he’s spent 40 years making custom gowns, cocktail dresses and business suits for Washington’s elite, dressing four generations of Kennedys, as well as Hillary Clinton, Nancy Kissinger and countless ambassadors’ wives.

Mr Alonso; “D.C.’s fashion scene comes alive at night — but it’s almost always behind closed doors. Privately, Washington is as high-fashion as any city in the world.

Business is booming and he’s taking advantage. Washington is coming out of the closet. New York, feel the pressure.

A red soled battle.

January 22nd, 2012
A red soled battle.

A red soled battle.

In one corner Louboutin. An idea inspired by using red nail polish to color one of the outsoles of his heels and introduced in 1992, became a trademark. The upmarket shoe designer has put plenty of (economic) effort into successfully linking his name with the usage of a ‘Chinese Red’ colour for the sole of his designs. In 2008 Louboutin registered a red sole trademark, claiming the exclusive right to make shoes with red soles.

In the other corner Yves Saint Laurent. Cheeky enough to attempt to include four models of shoes, Tribute, Taboo, Palais and Woodstock, in the Cruise 2011 collection. All red, all over, including the sole.

This made Louboutin an unhappy chap, he accused YSL of trademark infringement and took the haute couture company to court. He didn’t get far, the judge thought the trademark awarded in 2008 was “overly broad” and most likely not protectable.

Because in the fashion industry color serves ornamental and aesthetic functions vital to robust competition, the Court finds that Louboutin is unlikely to be able to prove that its red outsole brand is entitled to trademark protection, even if it has gained enough public recognition in the market to have acquired secondary meaning. The Court therefore concludes that Louboutin has not established a likelihood that it will succeed on its claims that YSL infringed the Red Sole Mark to warrant the relief that it seeks.

This left YSL, and others, free to continue making and selling any kind of red shoes. No change from before then, as YSL argued in court;

Louboutin ignores that YSL has been selling shoes with red outsoles for many years, in amounts greater than in the Cruise 2011 season, and that such prior sales have not resulted in a single instance of consumer confusion or other harm. Louboutin also ignores that dozens of other fashion designers also make shoes with red outsoles and have done so for years.

Louboutin, however, pushed on and filed an appeal. Next week an appelate court will again deliberate whether he may or may not monopolise red soled shoes.

Behind the scenes of the Berlin Fashion Week.

January 21st, 2012
Berlin Fashion Week.

Berlin Fashion Week.

Came across two articles about the Berlin Fashion Week, which raised an interest. It appears there are problematics behind the scenes. Financial problematics. In a country viewed as a rock of economic solidity.

Some background info. Germany rebounded from World War II to become Europe’s economic giant, and a prime mover of European cooperation. Success is to a large extent built on potent export industries, fiscal discipline and consensus-driven industrial relations and welfare policies. Germany is particularly famed for its high-quality and high-tech goods. These factors have combined to appoint Germany as the Saviour of Europe in a shaky economic climate.

But you’re only as strong as your weakest link a saying goes. In the case of Germany that appears to be Berlin. The city regained capital status after reunification in 1990, but financial deficit and political uncertainties have created both an identity and policy-implementation vacuum leaving the city in limbo.

Fashion form part of Berlin’s creative industries, that together employ 8 per cent of the workforce (80,000 people excluding 20,000 to 30,000 self-employed artists, designers and sole traders) and to produce 11 per cent of Berlin’s GDP compared to 3.6 per cent of German GDP. Creativity has been highlighted as a major production factor. Having said that, total unemployment rate is 12.7% compared to the German average of 6.6%.

With that roundup, back to those two articles. The Telegraph paints a rosy picture of Berlin Fashion Week attracting 400,000 visitors and generating a revenue of around a quarter of a billion dollars. Established in 2007 it now has a trademark of emerging talent. ‘Hats off to the talent and the city and everything else – it’s become sustainable and it’s growing‘.

Another side of the same coin is according to an insider a lack of funding and business support. In Berlin designers have to fund their own shows; award money for up and coming design talent granted by the Berlin’s state goverment for the winner amounts to €25,000. In London the equivalent is more than €200,000. It’s difficult to get bank loans, and designers have to take care of marketing themselves, a territory they are often unfamiliar with.

A paper from the London Metropolitan University published in 2008 finds that “there is no overall strategic policy framework for the city … Berlin’s creative economy has been organic and anarchic … Berlin has competitive advantages  (location, availability of premises, high educational attainment). However, the current problems suggest that it will be another decade before its creative city role and status embeds and matures.”

Things should be OK then in another six years or so …

The return of the pocket watch.

January 20th, 2012
Cartier pocket watch.

Cartier pocket watch.

My great grandfather had an obsession with clocks, repairing them and keeping them. His home was full of all kind of clocks, visiting was an experience with a never-ending drone of ticktack, ticktack on hourly, half-hourly and/or quarterly intervals interrupted by gong sounds.

From what I can recall, he didn’t have the same fascination with watches. He did have at least one though, and that was a pocket watch.  There was something special about that act of putting his hand in the pocket of his waistcoat removing the watch to check the time.

My grandfather also had a pocket watch, but he almost never used it. Neither did the next generation of men. And so far neither the current. But that could be about to change.

At the Geneva Watch Fair 2012, Cartier unveiled its first pocket watch in years, a limited edition 18-carat white gold piece with matching chain and stand. As you can see from the image above it’s a true work of art, with a price to match. Out of reach for most people, I nevertheless have a suspicion it will set the standard for other, more affordable, versions. 1920/30s fashion is on the inbound, men are already ditching the tie in favour of bow ties and pocket handkerchiefs. Why not boost the look with a pocket watch?

By the way, are pocket watches only for men?

Moves like a model. Over time.

January 19th, 2012
Event: Fashion in Motion.

Event: Fashion in Motion.

Walking down the catwalk looks fairly easy. After all it’s just a matter of feigning a blank look and put one foot in front of the other, right?

Not so, there’s a need to mind your posture, back, legs and feet, hips and arms. The posing at the end of the catwalk is especially important, this is where attitude is due.

It would have been great to be in London tomorrow. Am not a model, but watching fashion shows is great fun. And on Friday night there will be pedagogy mixed with glamour in a venue perfectly suited.

Against the backdrop of the glorious Victorian and Albert Museum, gestures and poses of the fashion model as they have evolved and changed throughout the history of fashion will be investigated. The show will illustrate the importance and impact of attitude and movement in the presentation of fashion and how we associate certain poses with certain eras and styles of dress. French models, Axelle Doue, Claudia Huidobro, Anne Rohart, Violeta Sanchez & Amalia Vairelli will be showing you how it was/is all done.

I won’t be in London tomorrow. But thanks to broadband I won’t be missing out. Live streaming from the event will take place at 3pm and 5pm GMT.